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Le Plafond de l’opéra de Paris
come la prospettiva lineare e un realismo più accentuato nei paesaggi
Perfect impression printed on Rives paper in a total of 150 copies
Perfect impression made on two zinc plates
Then Simeon blessed them and said to Mary
KŌRIN FURUYA, Kōrin-style Patterns n. 25, 1897 sculture Le Plafond de l’opéra deStunning proof with excellent colors, in the first edition. Printed on paper from Japan during the Meiji era (18681912). In exceptional condition, with untrimmed margins all around. Bibliography J. T. Carpenter, Designing Nature: The Rinpa Aesthetic in Japanese Art, The Metropolitan Museum of Art, 2012, p. 111 J. Hillier, The Art of the Japanese Book, London: Sothebys, 1987 A. Jackson (ed.), Kimono: The Art and Evolution of Japanese Fashion, London: